ArchivesSpace at the University of Iowa

Scope and Contents

According to Hirschman, the Enochian language was devised by John Dee and Edward Kelley in Shakespeare's time. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

Translated from the French into English by Jean Chopin. The colored froissage in the Archive for this edition is rendered in b&w on the back cover. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

Translated from the French into English by Jean Chopin. The colored froissage in the Archive for this edition is rendered in b&w on the back cover. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

The poetry selected in this anthology appeared in the first eight issues of "Ole" from 1964-1967. Stored in Ole magazine box. One of 5000 numbered copies, though far fewer than that were acually produced. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents This periodical was edited by Barry Flanagan. According to Thames and Hudsons Dictionary of Arts and Artists, Flanagan is "a British sculptor who has emerged since the 1960s as one of the most interesting, original and distinguished contemporary sculptors. He studied at St Martin's School of Art 1964-6, at the time when Caro and King were teaching there. Initially Flanagan made abstract work with a variety of materials -- cloth, rope, sand, polystyrene, light and glass -- some of which were Environmental installations. Flanagan also made films, drawings, etchings and furniture. From the 1970s he started working in metals, stone, clay and marble: his 'anarchic wit' became even more pronounced in this work; he also began making discreet references to traditional carving and modelling in mysterious, fossil-like sculptures, or references to prehistoric and Celtic iconography. In the late 1970s and early 1980s Flanagan finally turned to explicit but idiosyncratic figurative sculpture...

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In all issues of Silence edited by Barry Flanagan, amorphous, solid shapes are mimeographed that mirror his later sculptural works. -- Source of annotation: Marvin or Ruth Sackner.

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This book also is designated as Winter Series No.4. -- Source of annotation: Marvin or Ruth Sackner.

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This issue includes a Wormwood Review mimeographed broadside. A Sypher (Marvin Malone) designed the cover - depicts '9th' in an ideogram style. -- Source of annotation: Marvin or Ruth Sackner.